Superstar's movies so far

1. Apoorva Raagangal Tamil
2. Katha Sangama Kanada
3. Anthuleni Katha Telugu
4. Moondru Mudichu Tamil
5. Baalu Jenu Kanada
6. Avargal Tamil
7. Kavikkuyil Tamil
8. Raghupathi Raghavan Rajaram Tamil
9. Chilakamma Cheppindi Telugu
10. Bhuvana Oru Kelvikkuri Tamil
11. Ondu Premada Kathe Kanada
12. 16 Vayadhiniley Tamil
13. Sahodara Saval Kanada
14. Aadu Puli Attam Tamil
15. Gaayathri Tamil
16. Kumkuma Rakshe Kanada
17. Aarupushpangal Tamil .
18. Tholireyi Gadichindi Telugu
19. Aame Katha Telugu
20. Galatta Samsara Kanada
21. Shankar Salim Simon Tamil
22. Killad Kittu Kanada
23. Annadammula Savaal Telugu
24. Aayiram Janmangal Tamil
25. Maathu Tappadamaga Kanada
26. Mangudi Minor Tamil
27. Bairavi Tamil
28. Ilamai Oonjaladukirathu Tamil
29. Sadurangam Tamil
30. Vanakkatukuriya Kathaliye Tamil
31. Vayasu Pilichindi Telugu
32. Mullum Malarum Tamil
33.. Iraivan Kodutha Varam Tamil
34. Thappida Thala Kanada
35. Thappu Thalangal Tamil
36. Aval Appadithan Tamil
37. Thai Meethu Sathiyam Tamil
38. En Kelvikku Enna Bathil Tamil
39. Justice Gopinath Tamil
40. Priya Tamil
41. Priya Kanada
42. Kuppathu Raja Tamil
43. Iddaru Asadhyule Telugu
44. Allauddinum Albhutha Vilakkum
45. Ninaithale Inikkum Tamil
46. Andhamaina Anubhavam Telugu
47. Allaudinaum Arputha Vilakkum Tamil
48. Dharma Yuddam Tamil
49. Naan Vazhavaippen Tamil
50. Tiger Telugu
51. Aarilirunthu Arubathu Varai Tamil
52. Annai Oru Alayam Tamil
53. Amma Evarikkaina Amma Telugu
54. Billa Tamil
55. Ram Robert Rahim Telugu
56. Anbukku Naan Adimai Tamil
57. Kali Tamil
58. Mayadari Krishnudu Telugu
59. Naan Potta Saval Tamil
60. Jhonny Tamil
61. Kaali Telugu
62. Ellam Un Kairasi Tamil
63. Pollathavan Tamil
64. Murattu Kalai Tamil
65. Thee Tamil
66. Kazhugu Tamil
67. Thillu Mullu Tamil
68. Garjanai Tamil
69. Garjanam Malayalam
70. Netrikan Tamil
71. Garjane Kanada
72. Ranuva Veeran Tamil
73. Pokkiri Raja Tamil
74. Thanikattu Raja Tamil
75. Ranga Tamil
76. Puthukavithai Tamil
77. Enkeyo Ketta Kural Tamil
78. Moondru Mugam Tamil
79. Paayum Puli Tamil
80. Thudikkum Karangal Tamil
81. Andhaa Kaanoon Hindi
82. Thai Veedu Tamil
83. Sivappu Sooriyan Tamil
84. Jeet Hamaari Hindi
85. Adutha Varisu Tamil
86. Thanga Magan Tamil
87. Meri Adaalat Hindi
88. Naan Mahaan Alla Tamil
89. Thambikku Entha Ooru Tamil
90. Kai Kodukkum Kai Tamil
91. Ethe Naasaval Telugu
92. Anbulla Rajinikanth Tamil
93. Gangvaa Hindi
94. Nallavanuku Nallavan Tamil
95. John Jani Janardhan Hindi
96. Naan Sikappu Manithan Tamil
97. Mahaguru Hindi
98. Un Kannil Neer Vazhindal Tamil
99. Wafadaar Hindi
100. Sri Raghavendra Tamil
101. Bewafai Hindi
102 Padikkadavan Tamil
103 Mr.Bharath Tamil
104 Nann Adimai Illai Tamil
105 Jeevana Poratam Telugu
106 Viduthalai Tamil
107 Bhagawann Dada Hindi
108 Asli Naqli Hindi
109 Dosti Dhushman Hindi
110 Maaveeran Tamil
111 Velaikaran Tamil
112 Insaff Kaun Karega Hindi
113 Oorkavalan Tamil
114 Manithan Taamil
115 Uttar Dakshan Hindi
116 Tamacha Hindi
117 Guru Sishyan Tamil
118 Dharmathin Thalaivan Tamil
119 BloodStone English
120 Kodi Parakuthu Tamil
121 Rajathi Raja Tamil
122 Siva Tamil
123 Raja Chinna Roja Tamil
124 Mappillai Tamil
125 Bhrashtachar Hindi
126 Chaalbaaz Hindi
127. Panakkaran Tamil
128 Athisaya Piravi Tamil
129 Dharmadorai Tamil
130 Hum Hindi
131 Farishtay Hindi
132 Khoon Ka Karz Hindi
133 Phool Bane Angaray Hindi
134. Nattukku Oru Nallavan Tamil
135. Dalapathi Tamil
136. Mannan Tamil
137. Tyagi Hindi
138. Annamalai Tamil
139. Pandiyan Tamil
140. Insaniyat Ke Devta Hindi
141. Yejaman Tamil
142. Uzhaippali Tamil
142 Valli Tamil
143. Veera Tamil
144. Baasha Tamil
145. Peddarayudu Telugu
146. Aatank Hi Aatank Hindi
147. Muthu Tamil
148. Bhagyadevta Bengali
149. Arunachalam Tamil
150. Padayappa Tamil
151. Baba Tamil
152. Chandramukhi
153. Sivaji

One more important character in Aegan

The forthcoming project of Ajith directed by Raju Sundaram is the topic of discussion in the media now. The film went on floors without a title and after a while it was announced that it would be called Aegan inspired from the Sivapuranam. The crew had completed a schedule at Hong Kong successfully and would be proceeding further with it right now at various locales. Nayanthara who played the role of Ajith’s love interest in Billa will once again be doing the role of heroine in Aegan too.

Now the crew has announced that there would be a character of Ajith’s younger brother in the film and it would be Navdeep who had made an impressive debut with Arindhum Ariyamalum and Ilavattam. There would also be a heroine to accompany Navdeep and the unit is scouting for the same right now. Navdeep is a happy man for obvious reasons and avers that Aegan would surely be a turning point in his life.

Ghilli, Bheema, Dhool – All on the bus!

Tired of the long and exasperating journey while travelling in buses? Well, it shouldn’t be so anymore. Wonder why? Read on!

A.M. Rathnam, one of the topmost producers in the film industry, has many movies to his credit including hits like 7G Rainbow Colony, Ghilli, Indian, Dhool, Bheema to name a few. Having reaped success after success, he has now decided to do something that very few would even think of. Yes, Rathnam has given the rights to screen all his films to the transport corporations and companies that ply buses to various destinations. And this is inclusive of the dubbing rights also. Interestingly, his very recent film, Bheema also features in this list. Isn’t it one more reason to hop on a bus and take off to your favourite destination?

Bharathi refuses…

Bharathi’s role as a commercial sex worker in Ammuvaaghiya Naan received critical acclaim from all quarters. The film had a totally different approach which was liked by people. Bharathi’s performance matched that of veteran actor Parthiban in the film. Now this film is slated to be made in Telugu and the producers have approached her to do the same role in Telugu also. However Bharathi has refused the offer stating that if she agrees to do the role in Telugu also, there is a danger of her getting typecast and she may not be getting other roles. Secondly she has other satisfactory offers in Tamil which are coming her way and the young actress is careful in choosing them. Recently her appearance with Vikranth in Nenjathai Killadhe was also talked about and the lady is not in a great hurry to grab every offer.

Vivek in an educational film

Chennai Corporation will feature Vivek in an awareness film.Following N.S.Krishnan, Vivek has been informing people of useful information in a humourous way. That was how he landed the Sinna Kalaivanar film. Now Vivek is acting in an educational film by Chennai Corporation.

Chennai Corporation has decided to punish those who litter the roads, spit on the streets and pass urine in public. In this educational film Vivek is explaining in his own style what a health hazard they are.Chennai Corporation Mayor Ma. Subramanian said that efforts are taken to screen this one-minute film all theatres in the city.

Manisha dances for one song

Manisha Koirala has agreed to do one dance number. For a long time, Manisha Koirala has been absent from Bollywood. Apart from family issues and romance, she was fed up acting in same kind of roles.

She put a temporary end to acting and went to New York to take up the study of direction. The study is over now. In the meantime, Manisha wants to take up acting again.Having accepted serious characters, she has also agreed to do one dance number for a Telugu movie. The film is called 'Nagaram' Srikanth and Gajapathi Babu are the heroes in the film, directed by Srinivas. Manisha has agreed to the dance number for this film.

What makes people wonder is why agree to do a dance number for someone who want to begin her second innings in acting?

Trisha wants to act without 'Makeup'

Looks like Trisha is tired of playing the same old girl next door characters. She has recently done a film titled Abhiyum Nanum with Prakash Raj . The highlight of the film is that she ahs no make up in the film. Now that she has tasted the blood, Trisha wants it more.

It is said that the sexy south Indian beauty is in a look out for some different type of character which do not need make up at all and all is done very naturally. There is a buzz that she wants to do the roles like Sangeetha’s role in SHIVAPUTRUDU.

Soon she will also start a movie with Nagarjuna from the month of March and it is said that Trisha has asked her director for less make up role. But the director said that since it was a glamorous role she needs to do it with even more extra Make up.

But the latest news is that Selvaraghavan who made Aaduvari Matalaku Ardhalu Verule recently is ready to offer her a role of her choice. But he is still waiting for the final script.

If at all goes swell and accordingly, then it is for sure that Trisha is going to metamorphose into a plain Jane in some of her movies. Previously Simran who was considered as the top glamour queen in south India shifted her roles to non glamorous roles which can be cemented as she did a mother character role in Amrutha and this was before her marriage.

May be Trisha is also thinking of marriage soon, so she is trying out everything in her film career.

Narrow Escape

Bipasha Basu while shooting for a climax sequence of her next much hyped film Race had a narrow escape from a serious accident. While shooting for the climax sequence Bipasha had to stop her car and start running. The scene involves also a killer who chases her in a BMW car and the killer rams into the BMW and the car blows up behind her.

Though this scene was performed after lot of retakes and rehearsals, still the stunt master Allan Amin had a though of the risk to the actress. In spite of taking the necessary precautions the cannons which must have shot the BMW into the air got delayed due to some technical nag for a fraction of second and Bipasha was first at the risk of being rammed by the 40 Lakhs BMW and when later she was running, she had the danger of the flying car landing on her.

But fortunately the sexy lasso escaped it narrowly and is safe.

When asked about her experience, Daring BIPS said that she is comfortable with any kind of stunt, may be it can be too dangerous, but is afraid of dangling in the air as she has a Phobia of heights.

Take care Bipasha at least for your fans and Your John!

Shreya to get married

Vishal’s brother Vikram Krishna is all set to tie the matrimonial knot with actor and VJ Shreya. The pair were formally engaged in September 2007.

Vikram, apart from producing the Tamil film Thimiru in which Vishal played the lead role, had also produced it.The wedding will take place at the Park Sheraton Hotel, Chennai, on 9th March 2008. A day prior to this, a reception will be hosted for the couple at the Kalaignar Arangam, Anna Arivalayam in Chennai.

Top artistes and senior politicians along with a host of others are expected to grace the occasion and bless the newlyweds. Behindwoods.com wishes this young couple a very happy married life.

Padmapriya's 'Striker'

It is a season for films with sports subjects.
Lagaan' was a cricket-centred film. It became a success and so, Bollywood had got on that track.
'Lagaan' was followed by 'Chak de India', 'Goal' and so on. But Bollywood is still in the grip of sports subjects.
Now 'Striker' is on the floors with the subject of carom. Padmapriya is the heroine and her pair will be Siddharth. Yes, the same Siddharth of 'Boys' fame!I always admire Siddharth. Even before 'Rang De Basanti', I used to like him, waxes Padmapriya.
Other than 'Striker' Siddharth is also acting in 'Blood brothers' He is a homosexual in the film.

Siddharth is equally adept in choosing characters, like Padmapriya.

Yamini Sharma to star in the re-make of 'Jeganmohini'

Yamini Sharma will be acting along with Namitha in 'Jeganmohini'.
Vittalacharya's 'Jeganmohini' was a landmark in Tamil film history. What makes one wonder on seeing that film even today is Jayamalini's glamour and creating ghost like images on the screen when graphics was not even heard of.

Vittalacharya's son is re-making 'Jeganmohini'. Namitha will act in Jayamalini's role of Mohini.

Feeling that one Mohini is not enough, Yamini Sharma who appeared as Ramba in 'Indiralogathil Na.Azhagappan' has also been finalized for this film.It is yet to be decided if Yamini will act Mohini or not.

Whichever role Yamini comes in, she will be a Mohini for the youth!

Vishal the 'Superman'

Vishal, the tall dark and handsome hero, has carved a niche for himself, as an action hero, with his adrenalin pumping stunts. Presently, this actor is busy with Sathyam, a high budget film. With this actor churning out one movie after the other, it is no surprise that he is geared up to star in a film of the Superman genre.

Vijay's 'Andavan'

The punch dialogue that Rajini made famous was 'Andavan solran, Arunachalam seyran'.
All that Vijay had removed from the string of words is 'Andavan solran'.

The perfect system that Vijay used to follow was to choose the next film when he was completing one. But that system is temporarily broken now.

Now he has gone back to his old ways. While working in 'Kuruvi', he has given the responsibility of choosing his next film to Prabhu Deva. After completing the film produced by Ayangaran International, he has given call sheet to a film by R.B.Choudhary.
The story is by an assistant who had worked with the directors like Maduravan and others. The title of the film is 'Andavan'.

It is a chance for Vijay fans to put up posters exclaiming 'Engal Andavare'!

Chandramuki's achievement

After creating waves in South India, 'Chandramuki' is receiving very good receptionin the North too.
P.Vasu re-made the Malayalam film 'Manichitrathazh' directed by Fazil in Kannada. Later it was made into Tamil as 'Chandramuki'.

Even though it was a remake of Malayalam film, it was a big hit in Kerala. In Telugu too it was a great success. The film that had a great reception in South Indian languages is now being dubbed in Hindi.
They have given a print order of 150 prints for Hindi 'Chandramuki'. This is the first time 150 prints were ordered for a dubbed film.

It was in the last year Priyadarshan had produced 'Manichitrathazh' in Hindi as 'Bhol buliah'. Said the producer of Hindi even then 'Chandramuki' has raised great expectations there.

Saroja

After proving his mettle as a director with Chennai – 28, director Venkat Prabhu is geared up for his next project Saroja. Kajal Agarwal plays the lead role in Saroja. Speaking on her stint in Kollywood, she rued that though Pazhani has won her a good name it did not give her the much-deserved break. Perhaps, Saroja will make up for this. Disclosing more about this film, she revealed that it deals with one day in the life of a person. She plays the role of a middleclass girl. Saroja, she feels, has enough scope to perform well. This film is also being made in Telugu, she added.

Her other current projects in Telugu include Beeradu with Ram Saran Teja and Aata Adistha with Nithin. Signing off on a happy note, she told us that her Tamil film Bommalattam is slated for release very soon.

Thotta preview

Production: Oscar Movies

Direction: Selva

Starring: Jeevan, Priyamani, Mayilsamy, Livingstone, Pazhani Bharathy and many others.

Music: Srikanth Deva…

An innocent man turning into a gangster never seems to be fade in Tamil cinema and along the same queue comes Thotta, a movie you will hate all the time. Well, expectations were more as duo Director Selvah-Jeevan had rocked with yesteryear super hit movie Naan Avanillai. But the same duo have failed to make up for the expectations among the audiences.

A same old tale of an abandoned youngster turning into a gangster and a girl changing his entire course of life is all Thotta about. Poorly drafted screenplay, vague characters and an annoying direction would be main the limelight of the movie. Each and every serious, emotional and action sequences from director’s perspective turns out to be an annoying comedy.

Seems like Director Selvah never came to the shooting spots demanding for any perfection from the actors and if you would like to confirm this, kindly watch this movie at your own risk.

The film centers on Shanmugam (Jeevan), who suffers a lot in his early days, as his mother dies getting abandoned by her husband. With no one to support his basic needs, a police officers comes to aid adopting him and sooner Shanmugham aka Thotta turns into a gangster and cunning blackmailer.

A serious task binds him together with Nalina (Priyamani) when Thota is urged to acid on her. But Nalina happens to be a good-doer in Shanmugham’s life as she had helped him with money to conduct his mother’s funeral rites. In contrary, Thotta gets more attached with Nalina who has a great ambition of becoming a police officer. On the attempts of fulfilling Nalina’s dreams, he takes up the task of gunning down an union minister in return for a job for Nalina.

But it’s a complicated situation for Shanmugham, when the police commissioner who raised him demands to have intercourse with Nalina.

Well, what happens next narrated in predictable manner forms crux of the story…

Like in his previous films like Kaakha Kaakha and Naan Avanillai, Jeevan does a good job in getting spotted with an action-packed role, but it’s a great disappointment his performance in romance part. He is not seen passionate while romancing with his ladylove.

The most annoying part of the movie is the role of baddies played by Mayilsamy, Livingston and Santhanabharathy. Especially, Mayilsaamy irritates a lot with his comedy tracks that doesn’t make you laugh.

Priyamani does justice to her performance, but her role isn’t convincing and it raises a big question, why she accepts such kind of roles?

Nothing to appreciate about technicians and Srikanth Deva isn’t able to analyze the tastes of audiences: His musical score doesn’t enhance the feel. The same goes with cinematography and editing.

As a whole, Thotta is a movie that you can watch, if you don’t any worthy thing to do.

Final view Worst movie of all times. Watch it at your own risk…

Will robot speaks as good as we thought?

Am deeply saddened and shocked by Sujatha’s death. So sudden, and so unexpected. And such a tragic loss for both, fans of Tamil genre fiction and film buffs. In his passing away, so many of Tamil cinema’s best talents have lost an invaluable and long standing collaborator: Kamal Hassan, Mani Ratnam, Shankar, Rajeev Menon and several other filmmakers and script/dialogue writers who must have consulted him on their projects.

Kamal has spoken of his indebtedness to Shankar for shaping his reading and literary tastes. Going by the various responses that are pouring in from people who knew him, what comes across is a picture of a writer who was modest and unworldly – rare indeed in the film industry. When Shankar would ask him how much he wanted as payment, Sujatha would invariably respond, “Oh, just give me something.”


It must be a particularly deep and personal loss for Mani Ratnam and Suhasini, and I can’t help wondering how they would respond to this tragedy. If they were to speak of it, what would they say? I just get the feeling that they were closest to him. And that between Mani and Sujatha it had been an intensely creative, vibrant collaboration that one of them will profoundly miss. If you remember, Madhavan played a wry, intense author who does not suffer fools gladly in Ratnam’s Kannathil Muthamittal that was based in part on a Sujatha-like author character. In the movie Madhavan’s character even writes under his wife’s name. In an interview the star once said he had observed how Sujatha was on the sets with people, especially his fans, and used that to model his character on. In a flashback, Simran is seen reading from a Kumudham or Ananda Vikatan story with its signature pencil sketch. The story that Keerthana inspires Madhavan to write is narrated first on screen and then dissolves into Simran reading it in a magazine. From celluloid to paper, from movies to literature. What could sum up Sujatha better than that moment, that image, inspired from his own life and work? Mani Ratnam understood this and worked that artful, lovely little detail in as tribute.
It is a spectacular loss for Robot – perhaps even a crisis. The absence of a script and dialogues by Sujatha would diminish any film, but in Robot’s case it is doubly true: for the movie itself, as we all know, is based on Sujatha’s cult novel. Who better than him to have seen the screenplay and dialogue through till the movie’s completion? But if some reports that are just coming in are to be believed, Sujatha had apparently completed Robot’s script and had handed it to the director saying, "Shankar, I completed my work satisfactorily. Hereafter, there is no tension to me, even the film will become as my last one!" Well…we don’t really know at this point, but if there is some truth to this, it is indeed reassuring for Rajini’s fans and the entire team of Robot.

About ten years ago Tamil moviegoers began noticing the name Sujatha on the opening titles of movies. First as dialogue writer, and then, as script and dialogue writer. Wait a minute, we wondered then. Is this the author Sujatha? The same Sujatha whose stories and novels we had been reading? The one who had made science fiction stories popular in Tamil and had imagined

what Chennai would look like in post 2020? The answer, of course, was a resounding yes. It is then that I began to notice that a movie that had Sujatha as dialogue and co-scriptwriter was unfailingly interesting. Even if the movie didn’t always work, there was a freshness and inventiveness to the dialogues and the story. Also, a distinctly literary quality that could only come from a scriptwriter who was also the author of several popular novels and short stories.

To celebrate two of his best-known novels, Kanavu Thozhirsalai and Pirivom Sandhippom (Part I and II), Ananda Vikadan put up a giant cut out of Sujatha on Mount Road – the first time a writer had been honoured this way. He was not only prolific(100 novels, 200 short stories, 400 or more articles/columns and a dozen plays) but also broke new ground for the way he introduced genre fiction into popular Tamil literature.

Among the many early films he worked on were two Rajini movies, Gayathri and Priya-both based on his novels. And Kamal’s Vikram. Karayellam Shenbagapoo, Ninaithale Inikkum, Poi Mugangal and Vanakkathukkuriya Kathaliye are of some of the other films based on his novels and stories. Not many people know that his work has been adapted into several Kannada films (possibly because he used to work in Bangalore for a long time) such as Aryabatta, 24 Roopai Theevu, and Anitha Ilam Manaivi. His story about an athlete (Pathu Second Mutham) was made into a hit Telugu film starring Ashwini Nachappa, the famous athlete.

It is with Rajeev Menon’s Kandukondain, Kandukondain and practically every film of Mani Ratnam from Roja on (with the exception of Guru) and every film by Shankar, from Indian to the now bereft Robot, that Sujatha became a star dialogue and script- writer. It is well known that it was Sujatha and his wife who recommended Siddharth for Shankar’s Boys. They had seen him on the sets of Mani’s Kannathil Muthamittal as assistant director and thought he was perfect to play the lead in Boys.

Mani Ratnam was the first to notice his particular talent for dialogue writing, and for shaping a movie’s story in literary terms. Mani began collaborating with him closely, and the brilliant results were there for everyone to see on screen. Shankar picked up on this, and fused Sujatha’s ear for dialogue with Shankar’s own gift for grand storytelling. I also get the feeling that some scenes in Kandukondain, Kandukondain tap into Sujatha’s literary sensibility. What do I mean by this? I’m referring to the scene where Ash and Abbas have an argument over which the author of a certain passage is - Bharathi or Bharathidasan? You could feel the presence (and the contribution) of a Tamil writer in this wonderful scene.

Robot has been not only Shankar’s dream project but Sujatha’s too. He was very fond of both sci-fi novels that dealt with this theme. They had been widely serialized and read. It had also been adapted for television. It is the dream of any novelist to have her or his novel made into a movie. And every author’s fantasy that he would actually collaborate on the script, and even contribute to the process of making the movie. And for this versatile writer this fantasy had come true with the making of Robot.

And now what will Robot be like without its original creator? Who is to pen the dialogues? Or is it possible that Sujatha had already completed (or nearly completed) the script as some reports claim? Questions not just for us, but also for Robot’s entire team who must be anxious and grieving for such a heavy and sudden loss.

One thing I’m certain of: when the film is done and released, Shankar will surely dedicate Robot to the memory of Sujatha, the versatile, unworldly artist who brought Tamil literature and film together.

Lekha

Lekha Washington, the cherubic and bubbly VJ from SS Music had made her debut in Kettavan with Silambarasan and had completed a schedule. However for reasons unknown, the film is stalled and she has moved on to Jeyamkondan with Vinay and Bhavana under the direction of Kannan. Lekha plays Vinay’s sister in the film. When probed about her new film, she says, “Major portion of Jeyamkondan has been canned and the shooting took place in and around Madurai. I enjoyed the shooting completely and felt as though I was on a college picnic”. When questioned about the story of the film, Lekha plays it safe and says, “Vinay, Bhavana and I have roles which are equally important and it was a wonderful learning experience for me during the shoot.”

About her forthcoming projects, this slim lass says that offers have been coming but she is keen to do only heroine roles and does not want to play second fiddle to anyone. When quizzed about Kettavan, she plays numb and states, “I have nothing to comment. Please ask Silambarasan”.

no problem with Selva

Reema Sen has finally put to rest all rumours that had been doing the rounds. There had been a lot of talk in the industry that director Selvaraghavan had subjected Reema to severe torture during the shooting of Aayirathil Oruvan. Responding to this, the star cleared the director of any such behaviour, thereby firmly denying the rumours. Elaborating further, Reema made it clear that Selvaraghavan is neither stern nor short tempered as portrayed by some in the industry.

Another issue that had attracted attention is a melee created by her fans during the shooting in Kerala. Also taking this in her stride, Reema said that it was normal for fans to gather around stars and comment on them.

Aayirathil Oruvan’s shooting has been on for almost three months now and it is expected to go on for some more days. Reema is paired with Karthi for Aayirathil Oruvan.

Tollywood Actress ILLEANA

Ileana is the latest craze among among Telugu Viewers. With the success of Pokiri movie, she grabbed the number one position in Telugu film industry. With the Khatarnak movie is releasing today and Rakhi is slated to release, she is the centre of attraction.
Her attitude and figure makes the producers making beeline to her office. EENADU published her profile in the sunday magazine.

Nick Name : Ili, Ilu,Yana, Liyana

Birthday : November 1.

Place of Birth: Mumbai.

Education : B.A

Turning point of Life : Devadasu (Telugu Movie).

Hobbies : Reading Books, Listen to Music and Swimming.

Favorite Actress : Kajol

Favorite Diet : Chinese food.

Favorite Drink : Mango Juice.

Favorite Color : Blue and Black

Plus Points : Positive thinking and Honesty.

Negative Points : Impatience and Anger

Beauty Secret : Keeping mind calm and cool.

Goal in Life : To become good Actress

Message : Enjoy every moment in life.